Six Organs of Admittance • Dryhouse Ruins
Sat 09/14/24
6:00PM
All Ages
music
$15 ADV // $20 DOS
Show Lineup
Six Organs of Admittance
(California)
Genre: Folk
With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spiderwebs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. As is always endeavored….
After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County — a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together — forming connection and exchange out of thought and expression — no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived.
In moments, it was as if the future had some-how wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later — like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time.
Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, “The Mission” sings its purpose, before turning abruptly to the orchestral rumble of “Hephaestus”: rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with “Slip Away”, the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.
Dryhouse Ruins
(Milwaukee, WI)
Genre: Art-Rock, Heavy Psych, Krautrock, Noise Rock
While Dryhouse Ruins itself isn’t in your record collection (yet), band members will be familiar to music fans in Milwaukee and beyond. Guitarist Jim Warchol (Sometime Sweet Susan, Death Blues, Loam), bassist/baritone guitarist Damian Strigens (Testa Rosa, The Lovelies, Field Report), guitarist Jeff Mitchell (Field Report, Paulding Light, solo work), and drummer Ben Derickson (Collections of Colonies of Bees, All Tiny Creatures), have played improvised drone post-rock music together since 2014, drawing inspiration from Can, The Necks, and Sonic Youth’s instrumental brilliance. Four epic tracks recorded by Beau Sorenson of John Vanderslice’s Tiny Telephone Studios in Oakland will see the light of day as Dryhouse Ruins’ debut album later this year. Don’t expect them to play any of those cuts since nothing is ever repeated — as with any practice or gig, these four musicians bound by a singular artistic spirit will just pick a key and go.