The Nunnery begins with one voice, layered upon itself becoming a lush soundscape.
Sarah Elstran is an independent musician that bridges the gap between bright-eyed pop composition and hands-on atmospheric live layering of voice. Her vocal loops give us the kind of detail and wide multi-octave range that we might come to expect from a marquee pop star, while her production decisions continually keep us guessing as to what rabbit holes her tracks might fall into next.
In an age of quick fixes, flashing screens, and pop ‘songs’ that are more formula than art, an album that takes its sweet time is a radical act. “Also Going Nowhere”, Luke Callen’s third full-length effort is just that – a collection of songs that spread out through time and space, dripping with honest Midwest charm and a mischievous glint. It’s music that you can relax into, paired with lyrics you’ll want to chew on and savor, that ask something of their listener. These songs are proof and reminder: you don’t actually have to go anywhere at all to, you know, get somewhere.
That’s not to say the subject matters within this work are by any means easy or expected. Clementine follows a gun-totting mother up near the Taconite mines of Northern Minnesota. Deals go horribly wrong on the street corner in Lake Street Hustle. The cosmic, primordial soup mixes with wildflower seeds in Some Reason. These epic tales swirl alongside summertime swimming holes, interstate drives, fishing trips with Dad, and unlikely marriage proposals. All of it, grounded and cohesive in the hands of a locked-in rhythm section (Chris Grey on drums and Lauren Anderson on bass) playful lead guitar (producer Erik Koskinen) the warm hum of an organ (Frankie Moscow), and of course, Luke Callen’s confident finger-picking and weathered vocal delivery.
This no-frills arrangement style is like a drink of water for those of us who crave something real and honest to listen to. The sonic palette pays homage to a whole plethora of elements endemic to the American music tradition without feeling derivative or landing too hard on any one side of the genre question. Sure, fans of John Prine, The Band, or Randy Newman will undoubtedly hear traces of Callen’s biggest influences, but there’s a modern assessment within the music that is the distinct voice of an artist coming into his own and sharing stages with fellow pickers and balladeers like Charlie Parr and Margo Cilker.
This album is Callen’s strongest recorded work yet – but even so, his work isn’t the type to get puffed up or ahead of itself. “The highway begins where it always ends/on the same goddamned street” he sings, a throwback to the title of the thing, which seems to be said with a wink and wiley understanding of the world in which we live today. Ultimately, Callen never strays from this central theme: our ordinary lives are noteworthy, and that miraculous, strange, beautiful things are happening around us all the time. We just need to take a seat, stay a while, and insist on using our attention for good. The album lands in the streams on February 2nd, 2024.
Ever since the release of their critically acclaimed debut album, “The Real Truth”, Maximiano’s music has reached indie, folk, and americana scenes all across the country. The Milwaukee, WI based singer, songwriter, producer, engineer, and multi-instrumentalist toured extensively in support of “The Real Truth,” which The Milwaukee Journal Sentinel named the 3rd Best Album of 2024, calling it “one of the most piercing and emotionally resonant collections of songs… a towering artistic achievement.”
Maximiano performed 107 shows in 28 cities across 15 states in 2025 while still finding time to produce, mix, and collaborate with 30 artists and bands. In the midst of this hard work, Maximiano had a brief period of rest when their friends asked them to dog sit in the Hudson Valley region of New York. During that ten day span, Maximiano wrote their new album, “Rokeby,” named for the area that inspired the songs.
“Rokeby,” which Maximiano wrote, produced, arranged, recorded, and mixed, expands upon the lush production of “The Real Truth” in its first half before refocusing around the raw intimacy of performance in the stripped back second half. Every song on the album, no matter the production style, is driven by Maximiano’s trademark songwriting style: “honest, vulnerable, and altogether beautiful,” (Milwaukee Record).
The album is rooted in peace, community, and opposition to technocratic fascism so, in line with these beliefs, it will not be released on Spotify. Additionally, in solidarity with every artist who suffers under the streaming model, only the first half of the record will be available on other streaming platforms. The full record will be available on Bandcamp, vinyl, and CD on April 1st.
Milwaukee duo Jesse Walker’s Hitch sings through the anthology of American music with an ear for diamonds in the rough. Both focused equally on innovation as well as preservation, bassist/banjoist Eston Bennett and guitarist Andrew Koenig provide a sound authentic to those old melodies and themselves.